Labor Day

In a small town in Massachusetts in 1987, young Henry (Gattlin Griffith) lives alone with his fragile mother, Adele (Kate Winslet). She hasn’t been the same since the boy’s father left, and her depression has intensified to the point of her becoming a shut-in, only venturing away from the house once a month to collect groceries. On one such trip they encounter Frank (Josh Brolin), who has just escaped from prison and is in need of somewhere to lay low before he catches the next train out of town. Adele reluctantly helps Frank – who quietly yet forcefully insinuates harm will come to them if they do not help – but due to it being a holiday weekend and a lack of trains, Frank is forced to stay with this fractured family, and soon finds himself and Adele getting closer than he had intended.  ????????? Continue reading

Little Big Man

This review was originally written for French Toast Sunday as part of my USA Road Trip series.

In a retirement home, a 121-year old man – claiming to be the only white survivor of the battle of Little Big Horn – is being interviewed about the habits of the Native Americans. Instead he recounts his life story, starting when he was ten years old and, after his family’s wagon trail was attacked, when he and his older sister were taken in by a tribe calling themselves the Human Beings. We see the boy – originally called Jack Crabb until the tribe renames him Little Big Man – undertake many adventures, becoming embroiled with the likes of a devout Christian couple, a snake oil salesman, Wild Bill Hickok and General Custer along the way.little-big-man-5
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Field of Dreams

This review was originally written for French Toast Sunday as part of my USA Road Trip series.

Ray (Kevin Costner) was brought up a baseball fan, but after falling out with his father and heading off to college, he’s now found himself owning a farm in Iowa with his wife Annie (Amy Madigan) and young daughter Karin (Gaby Hoffmann). All seems to be well, until Ray hears a voice in the cornfield, and has a vision of a baseball field in its place. So begins a story of faith, family and ambition, that will lead Ray down paths he never knew existed – or were even possible.All 1If I were to lay out the entire plot of Field of Dreams – which I’m not going to do because that’s an insane level of spoiling, and it’s already been done on Wikipedia – the story would read as a wildly fantastical one, with many unexpected supernatural elements. It would also probably come off as deeply unsatisfying. You see, within this movie that is ostensibly about a man not wanting to throw his life away – as he believes his father did – there lies a lot of questions, and precious few answers. The origin of the mysterious voice Ray hears in the field, how it is talking to him and where exactly the owner is are all plot strands never entirely tied up, and many more have been added by the end of the film, yet if you’re searching for answers you’re not only looking at the wrong film, but you’ve entirely missed the point of this movie.Ray and Joe 1 Continue reading

Jules et Jim

This review was originally written recently for Blueprint: Review, and is also my selection for August for my Blind Spot pick.

Before I get into this review, I feel it’s only fair I give you a glimpse into my brief history with French New Wave cinema. As with David, whose review of another Truffaut film, Shoot the Pianist, posted yesterday, I’m not a huge fan, however, I’ve seen fewer films from within the period than he has, so there was a greater potential for me to like this film. To date, I’ve only really seen two New Wave classics, Godard’s Breathless (written by Truffaut) and Resnais’ Last Year at Marienbad. I hated them both, and even went back to re-watch Breathless (also known as A Bout de Souffle) and in fact hated it more the second time around. My problems with these films are many and varied, but essentially I find the characters to be so dislikeable that I genuinely don’t want to spend any time with them, and they all suffer from an abundance of style over substance, more so than any other films I could mention. Marienbad is particularly frustrating, given the complete absence of anything resembling a cohesive plot. I’ve heard arguments praising its open-ended narrative, allowing the viewer to read all sorts of insights into the film, but I see it as laziness on the part of the writer, or potentially an inability to write two adjacent scenes at all. Basically, what I’m trying to say is that Jules et Jim didn’t have much of a chance to begin with, even though I went in with as open a mind as I could manage.

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The Color Purple

Celie and her younger sister Nettie are being raised by an abusive father in southern USA, near the start of the 20th Century. They have just lost their mother, and so far their father has taken the two children he raped into Celie and killed them in the woods. Now, though, their father’s eye has begun to wander onto the blossoming Nettie, so Celie is married off to a widowed man who needs a wife to take care of his house and his three unruly children. This new man turns out to be just as bad as Celie’s father, and it doesn’t help when he spends all his time pining for a lost love, in the form of Shug Avery.Purple03

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Planet of the Apes (1968)

In the year 1972, four astronauts are deep in space, on a mission of discovery. They awake from suspended animation to find that one of their crew is dead and their ship has landed on an unfamiliar planet, and is rapidly sinking into a body of water. After making a quick escape with as much equipment as they can carry, the three survivors must find a way to survive, something made much more difficult by the planet’s native population.

Recently we recorded an episode of the Lambcast all about the original Planet of the Apes movies, from 1968’s Planet through to 1973’s Battle for the Planet of the Apes. I’d never seen any of the films before, so I was especially looking forward to the show, as I’ve now seen them all. They vary from the excellent (this one) to the dismal (Battle), the thought-provoking (Escape from the Planet of the Apes) to bat-shit insane (Beneath the Planet of the Apes), and you can listen to the discussion we had about them all here. As it happens, Planet of the Apes is also on the 1001 Movies list, and is widely regarded as a classic, so I’m selecting it as my Blind Spot pick for this month. Continue reading

Inside Llewyn Davis

Llewyn Davis is a folk singer, stumbling from sofa to sofa in early 1960s New York. He used to be part of a semi-successful duo, but for reasons explained in the movie the pair are no longer together, and everything Llewyn owns he carries with him and dumps at the next person willing to put him up for the night. He isn’t really going anywhere in life other than downwards, so he plans to head to Chicago in search of a record deal. Also, there’s an accidental pregnancy, and a cat.   strugglinginthesnow_insidellewyndavis
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A Separation

Nader and Simin have been married 14 years and have a daughter just weeks away from her 11th birthday and some important exams. However, they’re getting separated. They haven’t fallen out and bear no ill will towards one another, but circumstances require them to live apart. Simin (Leila Hatami) wants a better life for herself and her daughter Termeh (Sarina Farhadi), which she believes is impossible whilst living in Iran, so she wishes to move out of the country to live with her mother. However, her husband Nader (Peyman Mooadi) needs to stay to look after his father (Ali-Asghar Shahbazi) who suffers from Alzheimer’s.
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Raiders of the Lost Ark

I think I may be approaching the 1001 Movies List (and the other lists I’m going through) from something of a skewed perspective, in that I may be crossing off a few too many of the “better” movies before I get to the ones I’m not looking forward to as much. Bearing in mind yesterday I reviewed Ferris Bueller’s Day Off and today sees me tackling Raiders of the Lost Ark, I need to make sure I don’t eat all of my dessert before getting to the vegetables, as I also recently crossed off Back to the Future, Taxi Driver, RoboCop, To Kill A Mockingbird, Fargo and Boogie Nights as well. That being said, Bueller and Raiders made for a most enjoyable weekend of movie watching, with a little Jurassic Park: The Lost World thrown in for good measure (I’ll be writing something about that for French Toast Sunday this weekend, where we’re celebrating July with a month dedicated to Steven Spielberg, hence the Raiders viewing). Spielberg is one of my favourite directors, which shouldn’t be too much of a surprise considering he’s the guy behind Jurassic Park, the greatest movie ever made, but now I get the chance to talk about another one of the masterpieces he brought into cinemas. Continue reading

Ferris Bueller’s Day Off

This review was originally written for French Toast Sunday as part of my USA Road Trip feature.

How much of an introduction do I really need to give Ferris Bueller’s Day Off? I’m hoping none but, as much as it pains me to say, there’s probably a few unenlightened souls out there who have yet to discover the wonder that is this film. Ferris (Matthew Broderick) is an unimaginably popular and enterprising teenager who, one day, decides to pretend to be ill and skip school. It’s something he’s perfected into an art form – this is far from his first game of hookey – but this time he’s roping in his girlfriend Sloane (Mia Sara) and hypochondriac best friend Cameron (Alan Ruck). Once the gang has been assembled and Ferris has “borrowed” Cameron’s father’s prized Ferrari, the trio head to Chicago for the best day they’ll ever have. Meanwhile, Ferris’ sister Jeanie (Jennifer Grey) and the school’s Dean, Mr. Rooney (Jeffrey Jones) both suspect Ferris to be faking, and set about trying to bring him down.Ferris01 Continue reading