Chinatown

Los Angeles, 1937. Jake Gittes (Jack Nicholson) is a private detective specialising in domestic cases. One day a woman (Diane Ladd) shows up at Jake’s office and hires him to follow her husband, Hollis Mulwray (Darrell Zwerling) who she suspects is having an affair. Jake tracks Mulwray and does indeed photograph him embracing a much younger woman. He gives the photos to Mrs. Mulwray, and soon sees them printed on the front page of the newspaper, only to discover that the woman who hired him wasn’t Mrs. Mulwray, and the real one (Faye Dunaway) is somewhat irked that her husband has been publicly humiliated and has now disappeared, and all this is just the start of a web on intrigue that leads further than Jake could have imagined.
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Beetlejuice

This review was originally written as part of my USA Road Trip for French Toast Sunday.

A couple, Adam and Barbara Maitland (Alec Baldwin and Geena Davis) decide to spend their two weeks vacation at home working on their house, when quite unexpectedly they die in a car crash. They find themselves haunting their home and are tethered to it, unable to leave, and are appalled when new owners move in from New York, intent on renovating the house into a modern art spectacle. The Maitlands seem to have just one option – hire Beetlejuice (Michael Keaton), a self-confessed bio-exorcist, to help them rid their home of these unwanted inhabitants, but unfortunately he turns out to be a little more than they bargained for. O'Hara Continue reading →

Halloween (1978)

In 1963, six year old Michael Myers murdered his older sister with a knife on Halloween night, and was sentenced to a mental institution under the guidance and examination of Dr. Loomis (Donald Pleasence). Fifteen years later, on the day before Halloween, Michael escapes and heads for his home town of Haddonfield, Illinois, with murderous intent.
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Carrie (1976)

This review was originally written as part of my USA Road Trip for French Toast Sunday.

Carrie White (Sissy Spacek) is a social outcast due to her crippling shyness, awkward nature and plain, dowdy appearance, all a product of her intensely overbearing religious mother (Piper Laurie). Carrie’s pariah status comes to a head when, after a particularly bad gym class, she experiences her first period in the communal shower at school and, not understanding what is happening, she believes she is bleeding to death and pleads with the others for assistance, who only provide mocking and humiliation. Her mother believes the blood to be a curse from Satan and locks Carrie in a closet, but it seems all this mental and physical torment is causing the traumatised girl to develop telekinetic powers.    spacek reflection Continue reading →

The Birth of a Nation

This review was originally written as part of my USA Road Trip series for French Toast Sunday.

Two families – the Stoneman family from the North and the Southern Cameron clan – are friends with one another, with clear romantic interests between males and females on both sides. However, when the American Civil War breaks out the families find themselves in opposing camps. Both suffer losses until a Cameron son ends up being cared for by the Stoneman daughter in a Northern hospital when the war ends. All looks to be well until President Lincoln is assassinated, at which point everything becomes more racist than could possibly be imagined.
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All the President’s Men

This review was originally written as part of my USA Road Trip series over at French Toast Sunday.

June, 1972. Five men are caught having broken into the Watergate Complex, specifically the headquarters of the Democratic National Committee. Routinely checking out their trial, reporter Bob Woodward (Robert Redford) begins to suspect something may be up through some odd details of the trial, and a shared phone number amongst the address books of some of the accused. Bob’s colleague Carl Bernstein (Dustin Hoffman) helps Woodward write a piece on the potential scandal, and the two of them – with the support of their editor Benjamin Bradlee (Jason Robards) and a highly secretive and selective informant known only as Deep Throat (Hal Holbrook) – dig ever further into how far this story goes.
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Donnie Darko

One morning in early October, 1988, troubled teenager Donnie Darko (Jake Gyllenhaal) is coerced into sleepwalking by a mysterious figure in a creepy giant rabbit costume. He wakes up on the local golf course and heads home, only to find a jet engine has fallen into his bedroom, with the FAA claiming no such engine is missing. Had Donnie been home, he’d have been killed. In his dream, Donnie was also told that the world would end in 28 days, 6 hours, 42 minutes and 26 seconds, so he sets out attempting to unravel this mystery whilst also dealing with the regular trials and tribulations of a teenager in the 80s.
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Schindler’s List

During World War II, an entrepreneurial member of the Nazi party, Oscar Schindler (Liam Neeson) takes advantage of the mistreatment of Jewish citizens by using them for cheap labour in his enamelware factory. However, as he gets to know his workers better – particularly his right hand man Itzhak Stern (Ben Kingsley) – and witnesses first hand the inhuman brutalities they must endure – particularly at the hand of concentration camp overseer Amon Goeth (Ralph Fiennes) – Schindler begins to realise the change he can make to the people around him.
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Deliverance

This review was originally written for French Toast Sunday as part of my USA Road Trip series.

In a few months time, the Cahulawassee River is to be flooded by a dam. Four men, only two of whom have any experience canoeing, set out to row down a stretch of the river, before it is tamed by man and gone forever. However, the river has other ideas, as do the locals who don’t think too much of these naive city folk heading down their river.
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Vivre sa Vie

This review was originally written for Blueprint: Review.

Over the course of twelve chapters we experience the life of Nana (Karina), an aspiring actress and shop assistant who turns to prostitution when her acting career fails to take off.

There comes a point where you have to just sit back and declare that some things aren’t for you. You’ve tried them, often numerous times, but always with a similar, less than stellar result. No matter how hard you try, it’s just not something you can get on board with. And so it is with me and the cinema of the French New Wave. It’s not the worst I’ve seen – I’d possibly hand that crown to Godard’s À Bout de Souffle – but Vivre sa Vie comes close. It strikes me as a film in which the director is actively challenging the audience to pay attention, providing as he does multiple occasions where surely only the most fervent of viewers can remain engaged. Throughout this film we witness an entire letter being hand written, word by word, with the camera focussed intently on the letter. A poem is recited, in full. A conversation is had with French philosopher Brice Parain. And through all the ambling, overly self reflective, ponderous yet vapid naval gazing I struggle to maintain a grip on my conscious state as Godard hints at, but never fully embraces a narrative.
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