Paul Edgecomb (Tom Hanks) was the head prison officer at Cold Mountain Penitentiary’s Death Row, known as the Green Mile, in 1935. Along with having a crippling urinary infection, Paul and his team of good men must also deal with their snivelling bastard of a colleague Percy Wetmore (Doug Hutchison), the governor’s wife’s only nephew, and the various inmates that come through their doors on the way to the execution chair. The most recent of whom, John Coffey (Michael Clarke Duncan), is a towering, muscle-bound mountain of a man, but with a simple, child-like mind, and something a little special about him that makes Paul doubt whether Coffey has any cause to be on the Mile at all. Continue reading →
A small-time cattle operation, led by Robert Duvall’s Boss Spearman, sets up grazing near the town of Harmonville, with the intention of moving on before they do any major damage to the local vegetation. When one of their number doesn’t return from a supply run to the town, Spearman and his right hand man Charley (Kevin Costner) head to Harmonville in search of their friend, only to find he’s been beaten and locked up by the town marshal (James Russo), at the behest of Harmonville’s ruthless land owner Baxter (Michael Gambon). Baxter, it would seem, isn’t too keen on free-grazers around his land, and he makes it all too clear to Boss and Charley that if they plan to hang around, bad things are going to happen to them and their herd. Unfortunately for everyone, Charley and Boss are more concerned with enacting vengeance for their man than anything else, so needless to say things get a mite violent in town. Continue reading →
Jurassic Park is one of those films that really should have stopped at just 1 film. As much as I do love the second film, adding an all-star cast of Julianne Moore, Vince Vaughn, Peter Stormare, Richard Schiff and Pete Postlethwaite (R.I.P.) to the already spot-on casting of Jeff Goldblum, and with the addition of Compsognathus, one of my favourite dinosaurs (get over it, I’m a nerd), I feel that lifting the curtain on the mythology behind the parks sullies the memory of the original film, which I still deem as near-perfect cinema (major failing point: not killing the kids).