Johnnie and Lina meet by chance on a train when Johnnie (Cary Grant) can’t afford a first class upgrade, and pays for it in pennies and a borrowed stamp from Lina (Joan Fontaine). Lina leads a relatively sheltered life, being bookish and introverted, whereas Johnnie is a serial blagger, flying by the seat of his pants without a care for cause or consequence. Naturally, these opposites attract and the two are soon married, against the wishes of Lina’s parents. Eventually, Johnnie’s extravagant lifestyle leads to financial woes, and Lina suspects Johnnie may have some untraditional methods of fixing them.
Continue reading
Category Archives: Alfred Hitchcock
HitchcOctober Day 4: Jamaica Inn
In Cornwall, England, a crew of hoodlums run a racket whereby they obscure the warning lights along the rocky coasts during a storm, then salvage all the goods from the ships that subsequently wreck, leaving no survivors amongst the crew – after all, if the gang is caught, they’ll all be hanged. The base of their operations is the Jamaica Inn, and when Mary (Maureen O’Hara) is sent there to stay with her aunt and uncle after her parents have died, she begins to uncover the full depths of the depravity.
Continue reading
HitchcOctober Day 3: Number Seventeen
When a man chases his windblown hat into the courtyard of a creepy looking house, he goes inside to investigate. There he finds all manner of odd occurrences, beginning with a corpse on the landing, a strange man attending to the deceased, and a woman falling through the roof. When even more unusual people begin showing up, it’s clear something out of the ordinary is going on.
As with most of Hitchcock’s early films, I’d heard nothing about this film prior to watching it, so had very little to expect upon the viewing. As such I was pleasantly surprised to discover this relatively unknown gem, full of surprises, quirky characters and unusual occurrences. Unfortunately, the twisty nature of the plot, which sees you never further than a couple of minutes from the next revelation, character introduction or the revealing of someone turning out to not be whom they originally appeared, makes it relatively difficult to discuss without giving away any spoilers, seeing as there are so many to be given away! Considering the film clocks in at just a few minutes over an hour, that’s some impressive script work. It does render the plot a trifle confusing at times, but I got through it having largely understood everything that was going on, and without thinking a second viewing was required. Continue reading
HitchcOctober Day 2: Elstree Calling
This review was originally written for Blueprint: Review a few months ago, but I’ve saved it here for HitchcOctober!
In the late 1920s/early 1930s, Hollywood produced a number of musical and comedy revues; a selection of skits, dances and musical numbers, combined together into one long production, similar to a modern day Royal Variety Performance, but without the obligatory monarch amongst the audience. In response to these, Britain retaliated with Elstree Calling, a more comedic take that almost parodied the American counterparts, whilst still showcasing a range of talented performers from the time, and linked together by a sporadically inept compère, a desperate Shakespearean performer (the greatest Shakespearean actor in captivity) and a man attempting to re-tune his television set to watch the broadcast at home.
Continue reading
HitchcOctober Day 1: Re-Cap
It’s HitchcOctober! I’ve been meaning to do this for years, and now I finally am, huzzah! Both Life Vs Film and French Toast Sunday are devoting the month of October to the films of Alfred Hitchcock, so I’m starting things off with a run-through of all the Hitchcock films I’ve reviewed so far. I’ve ranked them in order from worst to best, and intend to do the same again come the end of the month, but with a significantly longer list, as I should have crossed off a fair few more from his filmography. So, for now, check out my thoughts on some of his movies:

Continue reading
Rich and Strange
Fred Hill (Henry Kendall) is tired of his lot in life. He works a dull job, which he travels to on a packed commuter train, and comes home to a small apartment where he and his wife Emily (Joan Barry) own little in the way of extravagant luxuries. Fred doesn’t think it’s fair that they don’t have expensive things, so he contacts his uncle, who is willing to allow Fred and Emily to have their inheritance now, before he dies, if it will make them happy. This prompts the now-happy couple to board a cruise ship and journey the world, but they discover they might have been happier when they were poorer.
The 39 Steps
Richard Hannay (Robert Donat), a Canadian man visiting London, thinks nothing of assisting a strange woman (Lucie Mannheim) to escape a theatre riot, especially when, after the melee, she requests he take her home with him. She seems rather odd, with an indistinguishable European accent and clearly fake name, hiding from the windows and the reflection of the mirror, scared of a ringing telephone, and it turns out she’s being pursued by a gunman over some business involving a secret being smuggled out of the country. Hannay of course is sceptical, until she winds up dead on his living room floor, a knife in her back and a map in her hand, with Scotland’s Alt-na-Shellach circled. Hannay suddenly finds himself in the frame for murder, and must flee up north if he hopes to clear his name and save the secrets.Vertigo
‘Scottie’ Ferguson (James Stewart) is a detective in San Fransisco who suffers from crippling vertigo, exacerbated by his most recent rooftop scuffle culminating in the death of a colleague and the escape of the perpetrator being pursued. He therefore retires, only to be called upon by an old college friend Gavin (Tom Helmore) who is concerned about his wife Madeleine (Kim Novak), who may or may not be occasionally under some form of supernatural possession from an ancestor who committed suicide at the same age Madeleine is now.
Continue reading
The Skin Game
Mr. Hornblower (Edmund Gwenn) has just purchased a rented house from Mr. Hillcrist, under the circumstance that the former does not evict the long-standing tenants of the house, the Jacksons (Herbert Ross and Dora Gregory). However, as soon as Hornblower has bought the place the Jacksons find themselves homeless, which starts a familial war, or ‘skin game’ between the two families.Psycho
On a bright December Friday afternoon, Marion Crane (Janet Leigh) returns to work after some afternoon delight with her similarly cash-strapped lover Sam (John Gavin). When her boss sends Marion to the bank to deposit a client’s $40,000 in cash, on a whim she hastily backs her bags and flees with the money, but draws the attention of a road cop during her escape. When darkness and an incessant downpour prove too much for Marion, she checks into the run down, deserted Bates Motel, where she meets motel manager Norman Bates (Anthony Perkins), a kind yet awkward young man, unfamiliar with pretty young women entering his life. Norman’s bedridden mother disproves of the presence of Marion, and refuses to let her into the house, but this is no concern of the girl’s as she still has to plan what to do with the money.
Continue reading
