I know I’ve seen bits of this before, but I think this was my first time seeing it all in one piece and, hopefully, it’ll be my last as well. The premise is confusing and mangled. Everyone’s favourite energetically chaotic funnyman Robin Williams is laboured with playing the least fun person imaginable, strapped to his giant mobile phone instead of spending time with his kids. Way too much time is spent in the real world before heading into the fantasy realm. It’s just so boring!
This year I pledged to fill in all my Steven Spielberg blind spots, reviewing them as I go. I’ve been making reasonable progress with the watching, but customarily slacking when it comes to the actual reviewing, partly because I got side-tracked with the Twin Peaks of it all. So far I’ve watched Always, Hook and Amistad, (along with the already-reviewed Sugarland Express and Empire of the Sun) none of which I feel overly compelled to watch again anytime soon, so these next few reviews will likely be a little lighter than usual, hope that’s OK. I still have Munich and Catch Me If You Can to go, so hopefully look out for them soon!
In 1940s China, British ex-pat child James Graham (Christian Bale) is a spoiled, entitled little brat, until World War II arrives with an invasion from Japan, separating him from his parents and leaving him to fend for himself in his abandoned home before eventually becoming interned in a prisoner-of-war camp.
Okay folks, strap in. Six days after the attack on Pearl Harbor in December 1941, the United States of America was concerned about another attack on US soil. 1941 follows a bunch of people in and around California over the course of one day, including:
– The crew of a Japanese submarine searching for something honourable to destroy, commanded by Akiro Mitamura (Toshiro Mifune) alongside German officer Wolfgang von Kleinschmidt (Christopher Lee), and eventually kidnapping Christmas tree salesman Hollis P. Wood (Slim Pickens).
– US Air Force captain “Wild” Bill Kelso (John Belushi) apparently chasing Japanese aircraft in his Warhawk.
– Captain Loomis Birkhead (Tim Matheson) attempting to seduce old girlfriend Donna Stratton (Nancy Allen), now the secretary of General Stillwell (Robert Stack), complicated by the fact that Stratton can only become aroused in a flying airplane, and Birkhead is not a qualified pilot.
– Civilian couple Ward and Joan Douglas (Ned Beatty and Lorraine Gary) are presented with an anti-aircraft gun due to the coastal location of their home.
– The Douglas’ daughter, Betty (Dianne Kay), wants to go to the jitterbug dance with newly-unemployed former-dishwasher Wally (Bobby Di Cicco), which becomes a problem when the dance becomes only available to enlisted men, much to the joy of the aggressive Corporal Sitarski (Treat Williams), who has eyes for Betty, whilst Betty’s friend Maxine (Wendie Jo Sperber) very much has the hots for Sitarski.
– Two members of the Ground Observer Corps (Murray Hamilton and Eddie Deezen) are posted atop a Ferris wheel, keeping watch for any approaching enemy forces.
– And finally, devoid of any real through-plot, there’s a tank crew comprised of Sergeant Tree (Dan Aykroyd) and Privates Foley (John Candy), Reese (Mickey Rourke), Henshaw (Walter Olkewicz) and new addition Jones (Frank McRae).
With only four months left on her husband’s prison sentence, Lou Jean Poplin (Goldie Hawn) near-spontaneously springs Clovis (William Atherton) from imminent release and the two set out to retrieve their fostered child Langston from his new parents. Things inevitably go awry, leading to the couple taking Patrolman Slide (Michael Sacks) hostage in his patrol car and lead one of the slowest, and silliest, car chases across Texas.
In 1971, and following the deaths of her father and husband, Katharine Graham (Meryl Streep) found herself the de facto owner and publisher of The Washington Post, despite how little faith or respect her all-male team of advisers had for her. Meanwhile, the Post’s editor-in-chief, Ben Bradlee (Tom Hanks), fought to make the Post a relevant competitor to the more established national newspapers, and a lead on some illegally copied, highly classified government documents may be the key to making that happen.
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Brooklyn, 1957. British-Russian Rudolf Abel (Mark Rylance) is arrested and charged with being a Soviet spy. In order for him to receive a fair trial he is assigned a defence lawyer in the form of James B. Donovan (Tom Hanks). Donovan has no choice but to accept the case, despite it being a guaranteed lose for him – the judge already calls Abel “The Russian” and has no qualms with admitting he has decided Abel is a spy before the case has even begun – and the case also puts a strain on Donovan’s personal life, with his family being attacked and Donovan being shunned in public. Even the police who respond to the call from the attack threaten to fight Donovan, yet he continues and pursues the case even deeper. After the case is over, American pilot Francis Gary Powers (Austin Stowell) is shot down using a secret spy plane, photographing key areas of the Soviet Union. When Powers is imprisoned within the USSR, Donovan is once again called upon to resolve the situation.
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Life Vs Film 