This is one of the films I’ve seen more times than any other, up there with Armageddon and Die Hard with a Vengeance (criminally, neither of which appear on the list). Shawshank tells the story of Andy Dufresne (Tim Robbins), wrongly convicted of the murder of his wife and her lover. Really though, the film is about friendship, with Dufresne meeting Morgan Freeman’s Red, a man known to locate certain items from time to time, and the two form a firm bond. The film also shows how to make the best of a bad situation, as before imprisonment Andy was in a relationship with an unfaithful women, a successful but passion-less job as a banker and had few, if any, friends (none seem to visit him throughout his sentence), yet in prison he thrives, providing sound financial advice to the guards, making friends and finding peace within himself with the aid of a newfound routine and meaning. Andy never knew that all he wanted was freedom, until what little he had was taken away from him.
Category Archives: Review
X-Men 2
With the consistently excellent Matthew Vaughn (Kick-Ass) releasing his upcoming X-Men First Class soon, a film about which I am very excited, and not just because it features January Jones and very little clothing, I thought it was apt to cross off X-Men 2. Although there were some excellent scenes, most notably the entrance of fan-favourite Nightcrawler (Alan Cumming) attempting to kill the President, the attack on the Mutant Academy and the fight between Wolverine and Lady Deathstrike, there were some plot holes I just couldn’t get past at the end of the film (spoilers). Firstly, when Magneto (Sir Ian McKellen) breaks into Cerebro, where a brainwashed Professor X (Sir Patrick Stewart) is being used to locate and kill all mutants worldwide, we are shown the mutants writhing in pain for the 30 seconds or so they are being attacked, so when the machine is altered, to affect non-mutants instead, we can only assume that they (we?) are put under a similar level of duress. So we’re talking about everyone driving a car, every pilot flying a plane, every surgeon performing an operation, all these people would be unable to function for a few minutes, causing carnage worldwide, and probably a massive number of fatalities. Secondly, why did Phoenix (Famke Jannsen) die? Yes, she got off the plane to lift it into the air (I’m assuming there are some logistical difficulties with lifting something you yourself are inside), yet there is a period of time between the plane being up in the air and the flood of water, that she is holding back, from engulfing her. She knew there was a teleporter on the plane, as we are told she is preventing Nightcrawler from helping her, but why not let him bamf out and grab her after she’s lifted the plane? It is a completely needless death, present only so when Charles meets the president at the end of the film, he can say there were losses on both sides, even though we are shown she didn’t really die.The White Balloon
An Iranian film shot almost entirely in real time, about a young girl trying to buy a goldfish before the New Year, this is hardly action-packed cinema, but was still surprisingly gripping. Following her on the various ordeals she encounters, first convincing her mother to let her buy one, then losing her money not once but twice, and diverting along the way to the strangers who help or hinder her quest, you begin to genuinely care about the girl, and desperately hope that she accomplishes her fairly pointless mission.
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Terminator 2: Judgement Day
How do you make a sequel to Terminator? It seems like the perfect movie to create a franchise with, featuring the possibilities for labyrinthine time-travel plotting, self referencing paradoxes and a villain who can be killed, but can also always return, but therein lays the biggest stumbling block. The villain from the original, Schwarzenegger’s unstoppable mechanical monster, the main draw of the first film, surely must return for the second, especially seeing as, in 1991, he was one of the biggest stars in the world. But how could the same robot come back as the villain? The sequel must somehow build upon the original, develop it further, else why bother? Having the same villain, with essentially the same plot, would seem a waste of time. So, proving that necessity is indeed the mother of invention, director James Cameron pulled a full character flip on not just Arnie’s T-800, now here as protector rather than foe, but also of Linda Hamilton’s Sarah Connor, discarding the ditzy 80s hairdo for some badass fighting skills, tank tops and a permanent ticket to the gun show. The introduction of John Connor (Edward Furlong) as a ridiculously irritating teenager spouting laughable phrases (Asta-la-vista, baby? Seriously?) is also a diversion from the expected, as he’s the so-called saviour of mankind, but he’s so goddamn annoying that whenever he was onscreen I found myself rooting for the bad guy.The Spider’s Stratagem
I’ll be honest, I lost track of this film. It seems to involve a man investigating the death of his father, but I really don’t know what happened after that. Every character seems to be contradictory, saying one thing then immediately changing their mind or acting oppositely, and the plot seemed to move backwards and forwards without warning, notification, explanation or reason. There was some lovely dialogue though (“I’m 74, and I’ll buy a drink for anyone who pisses further than me.”)Chronique d’Un Ete
I can’t say I’m surprised that this film is unavailable for rental from Lovefilm. It’s essentially a collection of interviews with various Parisians in 1960, being asked whether they are happy, and discussing topics including life, success, wealth and race. As an insight into life there and then it is interesting, but only in how it highlights the differences and similarities between the inhabitants of the same city. It all gets bit meta later on, when the directors, an anthropologist and a sociologist, discuss how the film has been limited up to that point, before showing the film to the people interviewed within it. Their reaction to the documentary is included as part of the film, as is the directors subsequent discussion of the reaction of the film, and the difficulties they have had making it. Many years before commentaries and behind the scene footage was popular, these two were self-analysing and critiquing the film they were making, whilst they were making it, and filming it as they went, to be included in the very film they were analysing. It’s the kind of moebius-strip film-making that could good on forever, but thankfully doesn’t.
Independence Day
Much like Titanic (also on the list, some other time) this is a film that only really reaches its stride in the second half, once the iceberg has hit and the world starts to sink. Ignoring the obvious, huge and much-discussed plot holes (what if the alien spaceships didn’t operate on Mac OS?) this is actually a very enjoyable popcorn film, with Roland Emmerich unleashing his full hatred on mankind in the form of giant spaceships playing a lethal game of chess with the Earth. The cast contains many tongue-in-cheek performances by actors more known for comedy (Will Smith, Randy Quaid, Jeff Goldblum) and displays people from all walks of life, be they a drunken former abductee or a Clinton-esque president, berated for being too young, all bonding together to save their planet. At times it is a little too patriotic though, as we are shown late in the film that the rest of the world have been waiting for the yanks to come up with a solution (“About bloody time” complains a typically posh Englishman), but then in a big dumb action movie you can expect some big dumb ideas (Smith’s first human interaction with an alien sees him punching it in the head). Also, the US patriotism is probably more of a money-making plot, seeing as the director is actually from Germany.Good Will Hunting
Is anyone else waiting for the second Oscar-winning screenplay from Matt Damon and Ben Affleck? I know they’ve been busy (until recently, Damon more so than Affleck), and that they essentially wrote the script because they weren’t getting the roles they wanted, but the guys obviously have talent, and I hope they start tapping away again soon. Affleck could even direct this time, as he’s shown great promise with Gone Baby Gone and, apparently, The Town (I’ve not seen it yet but am looking forward to, I’ll keep you posted).
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Election
Apologies, I watched this over a week ago, but haven’t had a chance to write anything until now, sorry. I’ve got a soft spot for Election that is also one of the reasons I don’t necessarily get on well with the film. Growing up, I was always a Tracy Flick kind of student. If there was ever a hand up in class, chances are it would be mine, I took my schoolwork very seriously and wasn’t necessarily the most popular person at school (shock horror), although I can’t say I distinctly remember sleeping with any members of staff, but I’ve blocked out a lot of my formative years so who knows what happened. So although I empathise with Flick, pitch-perfectly played by the Golden Globe nominated Reese Witherspoon, I feel sorrier for Matthew Broderick’s ethics teacher Jim McAllister, and even more so for my own previous teachers, who had to endure a real life version of Flick’s character.
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