Twin Peaks: Fire Walk With Me and The Missing Pieces

The Twin Peaks hiatus is over! Apologies for the delay, but as this film was rated 18 and the IMDB Parental Guidance section is somewhat graphic I deemed this would be unsuitable for my usual Twin Peaks viewing environment of my laptop on a public train, and it’s taken me several months to find an evening devoid of other more pressing activities in order to actually watch this film. But watch it I now have, and my thoughts I will soon distribute.

As with the first two seasons of Twin Peaks I went in knowing precious little of Fire Walk With Me, other than it was a prequel to the original show. My assumption was that this might follow Agent Cooper (Kyle MacLachlan) on the Theresa case, and whilst that was partially correct, this is far more about Laura Palmer’s week leading up to her washing up on the river bank encased in clingfilm, and my what a horrendous week she had. We’ll get there, though. For now, here’s my regular stream of consciousness from watching the film, albeit more edited this time due to the film’s length, otherwise we’d be here all day.

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Amistad

Captives from Africa aboard a Spanish slave ship revolt and take control, but are re-captured and taken to the USA. Various factions claim ownership of these people, and a trial is required to attempt to settle the situation. This is one of those very important Spielberg films, portraying a significant and specific moment in history, with a phenomenal cast that had me going “Hey it’s that guy!” every 5-10 minutes. When your cast boasts the likes of Chiwetel Ejiofor, David Paymer, Ralph Brown, John Ortiz, Anna Paquin, Stellan Skarsgard, Xander Berkeley and Pete Postlethwaite amongst it’s supporting members, you know there’s going to be something worth your time.

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Hook

I know I’ve seen bits of this before, but I think this was my first time seeing it all in one piece and, hopefully, it’ll be my last as well. The premise is confusing and mangled. Everyone’s favourite energetically chaotic funnyman Robin Williams is laboured with playing the least fun person imaginable, strapped to his giant mobile phone instead of spending time with his kids. Way too much time is spent in the real world before heading into the fantasy realm. It’s just so boring!

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Always

This year I pledged to fill in all my Steven Spielberg blind spots, reviewing them as I go. I’ve been making reasonable progress with the watching, but customarily slacking when it comes to the actual reviewing, partly because I got side-tracked with the Twin Peaks of it all. So far I’ve watched Always, Hook and Amistad, (along with the already-reviewed Sugarland Express and Empire of the Sun) none of which I feel overly compelled to watch again anytime soon, so these next few reviews will likely be a little lighter than usual, hope that’s OK. I still have Munich and Catch Me If You Can to go, so hopefully look out for them soon!

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Empire of the Sun

In 1940s China, British ex-pat child James Graham (Christian Bale) is a spoiled, entitled little brat, until World War II arrives with an invasion from Japan, separating him from his parents and leaving him to fend for himself in his abandoned home before eventually becoming interned in a prisoner-of-war camp.

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Blue Velvet

Jeffrey Beaumont (Kyle MacLachlan) returns from university to his smalltown home of Lumberton to look after the family hardware store when his father is hospitalised from a heart attack. After visiting the hospital, Jeffrey discovers a severed human ear in the woods, and begins investigating into its origin, leading him to team up with policeman’s daughter Sandy (Laura Dern) and lounge singer Dorothy Vallens (Isabella Rossellini) who seems connected in some way. Also connected is local gas-huffing psychopath crime lord Frank Booth (Dennis Hopper) and his crew of cronies, but how deep is Jeffrey going to delve into the seedy world beneath the perfect veneer of suburbia?

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1941

Okay folks, strap in. Six days after the attack on Pearl Harbor in December 1941, the United States of America was concerned about another attack on US soil. 1941 follows a bunch of people in and around California over the course of one day, including:
– The crew of a Japanese submarine searching for something honourable to destroy, commanded by Akiro Mitamura (Toshiro Mifune) alongside German officer Wolfgang von Kleinschmidt (Christopher Lee), and eventually kidnapping Christmas tree salesman Hollis P. Wood (Slim Pickens).
– US Air Force captain “Wild” Bill Kelso (John Belushi) apparently chasing Japanese aircraft in his Warhawk.
– Captain Loomis Birkhead (Tim Matheson) attempting to seduce old girlfriend Donna Stratton (Nancy Allen), now the secretary of General Stillwell (Robert Stack), complicated by the fact that Stratton can only become aroused in a flying airplane, and Birkhead is not a qualified pilot.
– Civilian couple Ward and Joan Douglas (Ned Beatty and Lorraine Gary) are presented with an anti-aircraft gun due to the coastal location of their home.
– The Douglas’ daughter, Betty (Dianne Kay), wants to go to the jitterbug dance with newly-unemployed former-dishwasher Wally (Bobby Di Cicco), which becomes a problem when the dance becomes only available to enlisted men, much to the joy of the aggressive Corporal Sitarski (Treat Williams), who has eyes for Betty, whilst Betty’s friend Maxine (Wendie Jo Sperber) very much has the hots for Sitarski.
– Two members of the Ground Observer Corps (Murray Hamilton and Eddie Deezen) are posted atop a Ferris wheel, keeping watch for any approaching enemy forces.
– And finally, devoid of any real through-plot, there’s a tank crew comprised of Sergeant Tree (Dan Aykroyd) and Privates Foley (John Candy), Reese (Mickey Rourke), Henshaw (Walter Olkewicz) and new addition Jones (Frank McRae).

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The Sugarland Express

With only four months left on her husband’s prison sentence, Lou Jean Poplin (Goldie Hawn) near-spontaneously springs Clovis (William Atherton) from imminent release and the two set out to retrieve their fostered child Langston from his new parents. Things inevitably go awry, leading to the couple taking Patrolman Slide (Michael Sacks) hostage in his patrol car and lead one of the slowest, and silliest, car chases across Texas.

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Groundhog Day

Irascible, anti-social weather reporter Phil Connors (Bill Murray) heads to the small town of Punxutawney, Philadelphia with his cameraman Larry (Chris Elliott) and new producer Rita (Andi MacDowell) to cover the Groundhog Day festival ceremony, wherein a prominently dentured rodent allegedly predicts the weather. It’s an annual occurrence Phil despises, and one from which he cannot wait to get away, but unfortunately for him he’s stuck there, reliving the same day over and over again, potentially forever more.

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Star Trek II: The Wrath of Khan

An aging Admiral James T. Kirk (William Shatner) no longer captains a starship, instead overseeing training simulations for upcoming recruits. On one such exercise, Kirk takes over command of his beloved Enterprise when Khan Noonien Singh (Ricardo Montalban), a genetically engineered superhuman Kirk has run into before, attacks a space station containing a terraforming device.

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