A magician known as the African Sorcerer conjures up a flying horse, which he refuses to sell for anything other than the Caliph’s daughter, Princess Dinarsade. Disgusted at the notion, Dinarsade’s brother Prince Achmed is convinced by the Sorcerer to ride the horse, but he is only shown how to make it fly up – pulling the lever at the horse’s head – but not how to make it come down – a similar lever at the tail. The Prince flies ever higher, unable to control the horse, until he eventually descends in a strange land, and that’s only where his adventures begin.
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Category Archives: Review
Juliet of the Spirits
A woman, Giulietta (director Federico Fellini’s wife, Giulietta Masina), suspects her husband Giorgio (Mario Pisu) is having an affair, as he forgets their anniversary, takes her successful, attractive friends to events and says the names of other women in his sleep. Instead of confronting him, Giulietta begins to experience more of life with the help of her more sexually adventurous neighbour (Sandra Milo).
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The Blob (1958)
Whilst out on a date, two kids (Steve McQueen and Aneta Corsaut) see something fall from the sky. Upon investigating they find an old man with a strange amorphous substance covering his right hand. They rush him to the local doctor, but things get worse when the substance appears to grow and digest the arm’s owner, and no-one in a position of authority with believe the kids’ story.
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The Revenant
Whilst guiding a team of fur trappers in the snowy North American wilderness of the 1820s, Hugh Glass (Leonardo DiCaprio) finds himself in a pretty poor state after being mauled by a bear whilst the group is fleeing a surprise attack from a Native American tribe they refer to as the Ree. Being unable to carry Glass back safely without endangering the rest of the team, captain of the party Andrew Henry (Domhnall Gleeson) requests Glass remain behind but be cared for and properly buried when the time comes. He leaves Glass under the protection of bitter, greedy trapper John Fitzgerald (Tom Hardy), naive and inexperienced Jim Bridger (Will Poulter) and Glass’ own half-Native American son Hawk (Forrest Goodluck). Circumstances arise that see Glass being abandoned with life still, barely, coursing through his veins, and he finds himself driven by vengeance against those responsible for abandoning him.
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In The Heat Of The Night
When wealthy businessman Phillip Colbert is found dead by a patrolling policeman in Sparta, Mississippi, Officer Sam Wood (Warren Oates) immediately assumes that the African American found loitering at the train station with excess cash in his wallet is the prime suspect, and his chief, Gillespie (Rod Steiger) is inclined to agree. That is until they discover the man, Virgil Tibbs (Sidney Poitier), is an acclaimed and learned homicide detective from Philadelphia, who had been waiting for a connecting train after visiting his mother. After being prejudiced against and treated poorly, Tibbs wants nothing more than to catch his train and head home, but his own captain insists he stay and, when Colbert’s widow (Lee Grant) makes the same demand after Tibbs shows more detective skills than the Sparta force, Tibbs and Gillespie have no choice but to work together until the case is solved.
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Inglourious Basterds
In France during World War 2, SS Col. Hans Landa (Christoph Waltz) is known as the “Jew Hunter” for his propensity for catching Jewish fugitives hiding from the Nazi party. Meanwhile, Lt. Aldo Raine (Brad Pitt) has been tasked with building a team of his “Basterds,” predominantly Jewish-American soldiers sent in to kill as many Nazis as possible. Finally, Jewish cinema owner Shosanna Dreyfus (Melanie Laurent) has caught the eye of war hero Private Fredrick Zoller (Daniel Bruhl), whose exploits have been made into a film, Nation’s Pride, which Zoller aims to have premier at Shosanna’s theatre, only for her to hatch a plan to take out as many Nazi officers as possible.
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The Breakfast Club
One Saturday, five kids from different social cliques are all brought in for a day’s detention. Over the course of the day, they’ll find that their generic labels – the athlete (Emilio Estevez), the princess (Molly Ringwald), the brain (Anthony Michael Hall), the criminal (Judd Nelson) and the basket case (Ally Sheedy) – may not reveal every detail about their respective personalities.
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Breakfast at Tiffany’s
In New York, a horrid freeloader by the name of Holly Golightly flitters through life utterly oblivious to how vile and despicable she is, mooching off everyone, never doing anything to benefit society and aiding criminals along the way. She receives a new upstairs neighbour, Paul Varjak (George Peppard), whom she insists on calling Fred because that’s how frustrating a creature she is. Paul is a semi-failed penniless writer working as a sort-of escort on the side. He is bemused by Holly’s lifestyle and inexplicably falls for her, despite her gold-digging tendencies and his own significant lack of funds.
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A Little Chaos
Kind Louis XIV of France (Alan Rickman) has commissioned a new garden for the palace of Versailles, and instructed his landscaper Andre (Matthias Schoenaerts) to the task. He interviews many different garden designer for the garden’s various segments, finally settling upon the alternatively-minded Sabine (Kate Winslet) for the role, much to the chagrin of the men who will be working under and alongside her.
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The Hateful Eight
John Ruth “The Hangman” (Kurt Russell) is a bounty hunter known for bringing in his bounties alive, regardless of the difficulty in doing so. His latest conquest is Daisy Domergue (Jennifer Jason Leigh), but whilst transporting her by stagecoach through a brutal winter storm, he is forced to stop off at Minnie’s Haberdashery to wait out the blizzard. On his way there he picks up a fellow bounty hunter, Major Marquis Warren (Samuel L. Jackson) and the new sheriff of the town they’re heading for, Chris Mannix (Walton Goggins). Upon arriving at the haberdashery, Ruth and the others find Minnie nowhere to be found, and four strangers (Tim Roth, Michael Madsen, Demian Bichir and Bruce Dern) holding the fort instead.
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