Jerry Mulligan (Gene Kelly) is an American WWII expatriate barely eking out a living as a painter in Paris with his composer friend and neighbour Adam (Oscar Levant). Adam is also friends with successful singer Henri (Georges Guetary), who is madly in love with his young girlfriend Lise (Leslie Caron). When attempting to sell his paintings on the street, Jerry is spotted by the wealthy and entrepreneurial Milo (Nina Foch) who plans to make Jerry a successful artist but, on an evening out, Jerry becomes infatuated at first sight with a girl at the next table, who turns out to be Lise, which doesn’t please Milo at all.
Continue reading
August 2016 Update
As I’ve not watched or reviewed anything since the “weekly” update a few days ago, consider this a combination of this week’s update, as well as the regular monthly recap. Hence, it’s time for a stream of consciousness ramble about whatever is currently on my mind.
I love London. I used to live there for a year (in Stratford, near where the Olympic stadium is, though when I was there it was near the big pit they were building the Olympic stadium in) and yesterday I got to spend the whole day there, under the mission of renewing my passport, a form-filled process that also contains a four hour window of waiting around for the passport to be processed, so I used this time to run a couple of errands revolving around scouting out supplies for the wedding and obtaining food to insert into my face. One of the things London is perhaps best known for is its public transport, with trains, tubes, buses, taxis and rickshaws all over the place, ready to take you wherever you need to go, generally at a reasonable price, but as I had time on my hands and not a lot of destinations on my route, I set about on foot, to better experience the bustle of London’s streets.
London is amazing. It’s full of every conceivable kind of person. All races, religions, genders, social classes and people from all the countries of the world. And every single one of them was in my way. It seems that when you move to London you become at least 40% more attractive and stylish, but everyone also loses any sense of personal space, be it their own, anybody else’s or, more specifically, mine. Granted this began on the train journey up which, due to safety reasons, took place aboard a train one carriage shorter than intended, meaning everyone was packed in like sardines making a particularly stiff-necked mission to not visually acknowledge the person whose armpit is making out with their ear. I ended up standing for most of the journey so a couple could sit next to one another, which was fine.
Anyway, in London my above-ground bipedal route took me past many of London’s infamous sight-seeing destinations, such as the London Eye, Big Ben, Houses of Parliament, Nelson’s Column and Buckingham Palace, which was in no way my intention – I walked at the mercy of Google Maps – so much of my travelling was spent circumnavigating roaming gangs of tourists and photographers, who cannot understand how standing at one far side of the pavement and photographing their family at the other could possibly inconvenience the tens of thousands of people trying to pass this impromptu photo studio. It’s not just the monuments though, people take photos of some of the most inane and mundane stuff. It still puzzles me as to why people insist on taking photos of telephone boxes and buses, just because they’re bright red. Maybe it’s from being a local that I’ve just gotten used to their iconic design, but taking a picture of something that hasn’t been used to make a phone call in years and has since become equal parts public urinal and prostitution billboard makes little sense to me, and there are so many London buses on every damn road that surely they must lose their appeal sooner or later?
On the subject of transport, in London every single type seems to follow its own set of rules with regards to indicating, roundabouts, lane usage, traffic lights, whether the pavement is an acceptable alternative to the road and whether pedestrians should be even slowed down for, let alone stopped at, even when crossing at a designated pedestrian crossing. Pedestrians are the bottom rung of London’s vehicular hierarchy, and all the other drivers are more than happy to remind you of this, but I resisted the urge of the underground and walked everywhere. My train from Bournemouth and back was the only mode of transport I used. Was this all just to rack up the most amount of steps on my FitBit? Absolutely. My previous record was just over 25,000 steps in a day, which included a run, a few bike rides and several dog walks, so I expected to hit around 30k with my London escapades. To ensure this I even walked the three miles each way to the train station and back, and walked Murphy before I left in the morning. Turns out I didn’t really need to do that, as my daily total, after I’d returned home and collapsed face first onto the bed in a weary, sweaty, bedraggled mess, was just shy of 42,000, which equated to walking a little over 20 miles. There’s no way I’m ever going to beat that. Oh, and did I mention that last week I cut the side of my big toe open, along the outside of the nail? And how it hurts to walk? Yeah, I’m not a bright person, and today I can barely move.
My Week in Movies, 2016 Weeks 33 & 34
Apologies for these lists becoming fortnightly of late, all I can do is try to be better next week. I sit down to write them every weekend, but something comes up, or inspiration doesn’t, and I end up putting them off. The problem is then I watch more films, meaning more to write in these posts, and so on. Anyway, enough procrastinating, here’s what I’ve watched this past fortnight:
Continue reading
Blind Spot: Lawrence of Arabia
In the First World War, British Lt. T. E. Lawrence (Peter O’Toole) is selected to assess the situation of Prince Faisal (Alec Guinness), who is having issues with the Turks. Going against the wishes of his superior officer, Lawrence catches the attention of the Prince, and advises a plan to attack Aqaba, a strategically positioned shipping port, by land, something deemed impossible due to the treacherous desert that must be crossed to do so. Even so, Lawrence and 50 men set out to do just that.
Continue reading
The Palm Beach Story
Five years into their marriage, Gerry and Tom Jeffers (Claudette Colbert and Joel McCrea) are having difficulties making their financial ends meet, and are soon to be evicted from their duplex for owing too much rent. Despite a sudden burst of unexpected riches, Gerry believes they will have more success separately and plans to divorce Tom so he can continue with his business developing a new airport built above a city (just don’t even think about it) whilst she finds and marries a millionaire who will give her the money to finance it.
Continue reading
Steve Jobs
During the preparations leading up to the public unveiling of three products – the Mackintosh in 1984, NeXT Computer in 1988 and iMac in 1998 – business “composer” Steve Jobs (Michael Fassbender) deals with the same handful of people and problems, including his friend and marketing associate Joanna Hoffman (Kate Winslet), co-Apple-founder Steve Wozniak (Seth Rogen), engineer Andy Hertzfeld (Michael Stuhlbarg), Apple CEO John Sculley (Jeff Daniels) and Chrisann Brennan (Katherine Waterstone), Steve’s ex-girlfriend and the mother of his potential daughter Lisa.
Continue reading
Men & Chicken
This review was originally written for Blueprint: Review.
Brothers Gabriel and Elias (David Dencik & Mads Mikkelsen) discover they were adopted after their apparent father passes away. Elias’ mother died in childbirth, and the fate of Gabriel’s is left unclear, so the pair set out to discover their biological parentage. Their quest takes them to the small island of Ork, a place with barely 40 inhabitants, and a dilapidated house believed to be the home of their father. Upon their arrival, Elias and Gabriel face another shock when they meet their three other half-brothers, aggressive but protective Franz (Søren Malling), gluttonous Josef (Nicolas Bro) and simple Gregor (Nikolaj Lie Kaas). The brothers live in a state of disarray and constant fighting, which Elias fits right into, but Gabriel attempts to reform it, all while persisting to find his father and uncover the secrets of his mysterious basement.
Continue reading
My Week in Movies, 2016 Weeks 31 and 32
This past week I turned 29, an age generally only noteworthy for being the last chance to do everything you’d planned to do before turning 30. At this point it might be expected for me to list those remaining things I’ve yet to cross off, as some form of checklist for the coming 12 months but – and I fear this may be perhaps the most depressing notion I’ve come across – I have none. I’m not bragging and crowing about how I’ve accomplished all I’d set out to do, and am over a year ahead of my lifelong schedule, no, instead it would seem that I never had any goals of this kind. No grand plan to follow, no aspirations in life. The path I’m travelling is one I have no map or compass for, no earthly clue where it may lead, and no real destination in site. You might think this is somewhat liberating, but you see I yearn for such an aim. I crave something to head for. That’s probably why I occasionally dedicate this blog to wading through various movie lists, else otherwise what would I possibly write about? And if anything, it’s these lists that are my one concrete goal, completing them is the one clear (if incredibly distant) point in my future. Outside of them, I really have no clue.
Turning 29 does have a different significance for me, personally though. I’m sure I’ve made reference in the past – probably when I first started the 1001 List, so I’ll forgive you if you’ve forgotten – that I once had a dream that I’d die at a certain age. I didn’t put a great deal of stock in this notion, but it’s one that has stuck with me, niggling at the back of my mind. The age at which I always thought I’d pass was 28 years old. The number of months, weeks and days into that year were never specified, so whilst the past year hasn’t been spent with my back pressed firmly against every wall, head on a swivel seeking out my impending, imminent demise, I’d be lying if I said it hadn’t crossed my mind from time to time. In fact my quest through the 1001 List even began with an otherwise arbitrary deadline that passed midway through my 29th year. Now it would seem all of this has just been a waste, but fortunately a waste of not very much, and now I can go on living with the knowledge that the end could occur for me at any time. Knowing my luck I’ll get knocked off my bike one film away from finishing. Anyway, speaking of films, here’s what I watched over the past week: Continue reading
Hail, Caesar! (2016)
Eddie Mannix (Josh Brolin) is a put-upon movie producer for Capitol Pictures in 1951. Over the course of one 27-hour period he must deal with rival gossip columnist twins Thora and Thessaly Thacker (Tilda Swinton), a rising western star (Alden Ehrenreich) being reimagined as a dramatic actor, much to the chagrin of his new director (Ralph Fiennes), the unexpected pregnancy of a swimming starlet (Scarlett Johansson), offers for Mannix himself to change to a high powered position in another company, as well as the supposed kidnapping of major star Baird Whitlock (George Clooney) by a Communist cell calling themselves “The Future” and the fall-out from Whitlock’s disappearance, which is delaying the production of a lavish epic.
Continue reading
Triple 9
After a crew of thieves – including two corrupt cops – partially botch the robbery of a bank’s safety deposit box for Russian gangsters, the team are given another chance and their fee is withheld until she successfully steal more information, key to the release of the gang’s boss. The only way to pull off the heist is to distract all the local cops long enough for a decent window of time, and the corrupt officers Marcus (Anthony Mackie) and Franco (Clifton Collins Jr.) believe the best way to do this is to pull a “Triple 9”, to kill a cop. And they think they’ve got the perfect target in Marcus’ new greenhorn partner Chris (Casey Affleck), the nephew of prominent Detective Sergeant Jeffrey Allen (Woody Harrelson). Meanwhile, the thieves’ leader Michael (Chiwetel Ejiofor) receives grief from the Russian boss’ wife Irina (Kate Winslet), whose sister (Gal Gadot) is the mother of Michael’s son. The rest of Michael’s team is comprised of Russell (Norman Reedus) and his younger, unstable brother Gabe (Aaron Paul).
Continue reading