In 1940s China, British ex-pat child James Graham (Christian Bale) is a spoiled, entitled little brat, until World War II arrives with an invasion from Japan, separating him from his parents and leaving him to fend for himself in his abandoned home before eventually becoming interned in a prisoner-of-war camp.
Jeffrey Beaumont (Kyle MacLachlan) returns from university to his smalltown home of Lumberton to look after the family hardware store when his father is hospitalised from a heart attack. After visiting the hospital, Jeffrey discovers a severed human ear in the woods, and begins investigating into its origin, leading him to team up with policeman’s daughter Sandy (Laura Dern) and lounge singer Dorothy Vallens (Isabella Rossellini) who seems connected in some way. Also connected is local gas-huffing psychopath crime lord Frank Booth (Dennis Hopper) and his crew of cronies, but how deep is Jeffrey going to delve into the seedy world beneath the perfect veneer of suburbia?
With only four months left on her husband’s prison sentence, Lou Jean Poplin (Goldie Hawn) near-spontaneously springs Clovis (William Atherton) from imminent release and the two set out to retrieve their fostered child Langston from his new parents. Things inevitably go awry, leading to the couple taking Patrolman Slide (Michael Sacks) hostage in his patrol car and lead one of the slowest, and silliest, car chases across Texas.
Two men must spend 4 weeks together maintaining a lighthouse on an isolated island in the late 19th century. Sounds pretty straightforward, right? There’ll be some butting of heads as their personalities clash and cabin fever sets in, but eventually they’ll either become friends, lovers, or they’ll kill each other, but however it turns out, the story will be clear and everything will be resolved, yes? After all, the film is called The Lighthouse, and the primary job of a lighthouse is to reveal what would be otherwise hidden and dangerous, so calling a film The Lighthouse when it’s actually a near-impenetrable sack of confusion would be ludicrous!
Irascible, anti-social weather reporter Phil Connors (Bill Murray) heads to the small town of Punxutawney, Philadelphia with his cameraman Larry (Chris Elliott) and new producer Rita (Andi MacDowell) to cover the Groundhog Day festival ceremony, wherein a prominently dentured rodent allegedly predicts the weather. It’s an annual occurrence Phil despises, and one from which he cannot wait to get away, but unfortunately for him he’s stuck there, reliving the same day over and over again, potentially forever more.
Tom (Michael Douglas), a devoted husband and father, has spent years working his way up the corporate ladder at a technology company, and is expecting to be promoted as part of an upcoming merger. However, instead his boss Bob (Donald Sutherland) brings in new blood for the role, in the form of Tom’s ex-girlfriend Meredith (Demi Moore). Meredith summons Tom for a suspicious evening meeting accompanied by wine and shoulder massages, during which she attempts to seduce him. After initially reciprocating, Tom eventually turns her down and flees, telling no-one and hiding the scratches on his torso. Upon arriving at work the next day Tom discovers Meredith has vengefully accused him of sexual harassment, and Tom must either prove his innocence or be forced out of the company.
After the end of World War II, three American veterans from different military branches and different social backgrounds return home to try and reacclimatise themselves back into society, but the world back home isn’t quite how they remembered it.
Dorothy Wynant (Maureen O’Sullivan) is in distress. Her inventor father Clyde (Edward Ellis) has disappeared, after taking $1,000 from his lawyer (Porter Hall) and heading to a secret location, not returning in time for Dorothy’s wedding. Fortunately Nick Charles (William Powell) is in town for the holidays with his wife Nora (Myrna Loy) and their dog Asta (Skippy). Nick is a retired detective who was once hired by Clyde, and after some initial trepidations, Nick is soon on the hunt for the missing man.
In an undisclosed future date, Theodore (Joaquin Phoenix) doesn’t have much in life. He lives alone, almost divorced from his wife Catherine (Rooney Mara), with his only intimate moments taking place with strangers over the phone. For work he writes personal messages to and from people he’s never met, and he spends his spare time playing video games featuring a verbally abusive child-like being. That is until Theodore meets Samantha (Scarlett Johansson). She understands him. She spends all her time with him. They make each other laugh and have stimulating conversations. Oh, and she’s the operating system on his new phone.
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This review was originally written for Blueprint: Review.
Charlotte Vale (Davis), is the self-proclaimed spinster aunt of her wealthy Boston family, living under the tyrannical oppression of her domineering, incessantly critical mother (Cooper). The pressure put upon Charlotte eventually induces a nervous breakdown, causing her to spend time in the sanitarium of Dr. Jaquith (Rains), allowing her to gain a proper sense of self and embark upon a cruise. There she meets Jerry Durrance (Henreid), and the pair almost immediately hit it off and fall in love, but there’s a problem, Jerry is married with a family back home, so the possibility of a lasting romance with Charlotte seems impossible.
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Life Vs Film 